The pattern for this tunic is a combination of Herjolfsnes finds numbers: 42, 43, and 45. The 42 was used to pattern the body, the arms are a pattern made by using the common fitted arm shape found in all the finds listed above but without any seperate gore and extended to create the pennant sleeve.
The gown is made of light weight gray wool and the sleeves are lined in white linen. The buttons are cloth self stuffed buttons.
Many figures in the manuscript have a second tunic, also called a super tunic in historical record of the time, it has pennant sleeves. The pictured super tunic is made of a fine grey wool.
The body of the super tunic with pennant sleeves is based on the extant example Herjolfsnes no. 42. The idea here was again to get the tight fit on the upper body and the loose flowing material from the hips down seen in so many manuscript images.
The pennant sleeves pattern is based off of common sleeve construction of the time but with the long streamer added, no example of this kind of sleeve is extant. For those looking for pattern for this type of sleeve look at the book “The Medieval Tailors Assistant” which has a pattern for a preenant sleeve arm. At this time the white part of the sleeve is just linen however I beleive a proper reconstruction should be made with a fur lining on the inside of the sleeve; a number of the illustrations of these sort of sleeves have indications of fur with textured painting and a look of small squares sewn together.
The front opening (only to the gore) was added to the pattern so it could button shut like the examples in the third image in the bellow gallery. The buttons are self stuffed cloth buttons of the same wool.